News

March 31st, 2006

Moneen Adds S. Ontario Dates

Moneen has added 4 dates in S. Ontario in May. Go to the tour page to find out where. Opening bands have yet to be confirmed.

Category: Moneen

March 22nd, 2006

Comeback Kid Europe Dates Posted

Comeback Kid will be touring Europe with Raised Fist. Go to our tour page to see all the dates.

Category: Comeback Kid

March 21st, 2006

New E-Card for Moneen’s The Red Tree

Sample a couple of songs on the upcoming Moneen album, The Red Tree, via the Vagrant E-Card.

http://www.vagrant.com/moneen_ecard/

Category: Moneen

March 21st, 2006

Pictures From Our Mercury & Moneen Show in Regina, SK

Lonely Tree Records was at the recent Moneen, Choke, Our Mercury show in Regina and put together a photo album. Click below to see live shots of Our Mercury and Moneen.

http://photobucket.com/albums/f85/lonelytreephotos/

Category: Moneen, Our Mercury

March 21st, 2006

CBK Not Breaking Up

A Post from Comeback Kid regarding the recent departure of vocalist Scott Wade:

 

 

Comeback Kid NOT breaking up..

 

Hey everyone

 

We just wanted to post a quick blog to let you guys know that Comeback Kid is NOT breaking up. We’ve recieved a lot of messages since the depature of Scott asking us if we’re breaking up and this is definitely not the case. Thank you all for the kind messages you’ve sent to us and Scott and thank you for continuing to support us. We still have a good amount of dates left on our tour with Ignite, First Blood, and This Is Hell - so hopefully we’ll see a lot of you soon. Take care.

 

-CBK

Category: Comeback Kid

March 17th, 2006

First Reviews for the Red Tree Rolling In.

The first couple reviews for The Red Tree are in. Check them out below.

EMOTIONALPUNK.COM

8/10

 

A band warranting underground success with their stunning live

performances, Moneen are now defining themselves as more than a band whose

live act is beyond exemplary. Their last album, ‘Are We Really Happy With

Who We Are Right Now?’ defined the band as outside of the status-quo, with

often off-the-wall song dynamics and structure; but with ‘The Red Tree,’

the band’s extraordinary live energy is transcribed and documented by an

intense studio recording.

 

The 11 songs on ‘The Red Tree’ were, in fact, so intensely transcribed,

that pedals and amplifiers literally went up in smoke during the many

months in which it was recorded. The instant the album kicks off, a

shockwave of sonic guitar energy immediately aims to redefine the band’s

sound, and as the songs progress, more and more of these sonic guitar

sounds are revealed.

 

And despite all the noise and chaos, another thing that really strikes the

listener is the often brilliant harmonies the singer pulls off. The vocal

melodies are, by themselves, catchy and vibrant, and often backed up by

one or more voices, adding yet another layer to the complex sound on ‘The

Red Tree.’ Vocally, the album is just as infectious as it is melodious,

and the soaring vocal melodies on songs like ‘Don’t Ever Tell Locke What

He Can’t Do’ or the powerful, brooding chorus of ‘The Politics Of Living

And The Shame In Dying’ do nothing but encapsulate the listener with an

experience previously unheard of.

 

Technically, the album is as complex and detailed and is some of the most

spirited, noisy guitar work I have heard since The Receiving End Of

Sirens’ latest. ‘The Frightening Reality Of The Fact That We Will All Have

To Grow Up And Settle Down One Day’ unveils some of the most vigorous

guitar work on the album’and the intense riffing is literally stunning.

Shoegazed, shimmering guitar structures remind one of bands from the

mid-90’s My Bloody Valentine epidemic, even.

 

And even when the record isn’t blasting off its sonic, animated guitar

techniques (which isn’t too often) the slower ballads (namely ‘There Are A

Million Reasons For Why This May Not Work… And Just One Good One For Why

It Will’ or ‘The Song I Swore To Never Sing’) bring out pianos and a sort

of epic display of the band’s capacity to write soft, lovely pop hooks.

 

Moneen might not be your favorite band yet’or a band you have even

listened to. If you’ve seen them live, you know what I’m talking about

when I say they have an extreme energy in their live performance. ‘The Red

Tree’ further continues the band’s ability to write songs that are outside

of the box, yet accessible to anyone who enjoys a pleasant

pop-sensibility’all the while better documenting their live energy. And

yet, the experimental, avant-garde, and utterly shocking guitar renditions

and sounds on this album are alone enough to compel even the choosiest of

music fans.

reviewed by Andrew Martin

 

 

ABSOLUTEPUNK.COM

Far too many people are sitting in front of their computers right now and

saying, “Who are Moneen?”

 

That’s unfortunate because if they don’t get with the program in the next

month, they’re not going to be picking up Moneen’s new album, The Red

Tree, on April 11th. That just means they’re going to feel really stupid

(yet finally fulfilled) when they have to go back to their store at some

point during the rest of the year to purchase it.

 

So if I just described you, and you don’t know who Moneen are yet - this

is your warning. I’ve written this review in far enough advance to give

you time to act like you know what’s up.

 

The album doesn’t waste anytime kicking things into high gear - so I’m not

going to either.

 

Blistering drums, clever guitar licks, and melody to boot. These Canadians

find a way to make music that can described as very fitting for a Vagrant

band. Their album is crafted in a complete package to deliver the listener

a feeling of fulfillment.

 

Their long song titles make it difficult to type them out in this review

to highlight my favorites; so I am going to take the shortcut and just say

tracks 2, 8, and 12 are the stand out tracks (among an album full of great

songs).

 

The band members trade vocals - bleed two or three songs in a row together

- and the songs speak as stories. Artistry at it’s finest, coupled with

music that begs to be played loud. Full-time air-guitar duties are most

certainly needed. Even the slow, soft, melodic songs have an hint of

aggression within them - almost begging to be released.

 

Repetition of vocals, soft screams, and the subtleties many bands lack all

come together to form an extremely coherent album from Moneen that even

surpasses their already superb debut.

 

For Fans Of

The Get Up Kids [Something to Write Home..], Matchbook Romance [Voices]

 

It’s hard to write a “For Fans Of” list for a band that truly doesn’t

sound much like any of their peers. Just listen to it - I think you’ll

like it.

Category: Moneen

March 14th, 2006

Sylvie to Support Minus the Bear

Sylvie have been added to two Minus The Bear shows in Western Canada in April. April 16 in Calgary, and April 18 in Winnipeg. They are excited. They jumped up and down three times. Then they had to lie down.

Category: Sylvie

March 14th, 2006

New Moneen Dates Posted

As if you couldn’t figure it out yourselves… The gap on the Saves the Day tour between Seattle, WA and Portland ME seemed a little suspicious. And we finally have received confirmation that those two weeks are now set for Canadian dates for Saves the Day, Moneen and Circa Survive. Dates go from Vancouver to Montreal.

Category: Moneen

March 13th, 2006

Scott Wade Leaves Comeback Kid

Scott Wade, vocalist of Comeback Kid, has announced via a myspace bulletin his departure from the band. Wade wrote in part:

  Life is full of hard decisions, but only a few of them are as big as this and absolutely life changing. I was faced with one of these decisions. The kind of decision that keeps you up nights, tossing and turning, leaving your stomach in knots. [...] This band has been my life for the past 4 years, and I was a roadie for another band prior to that. I really don’t know, or have anything else in my life. Saying I’m not “scared” about my future would be a complete lie. I just got to a point where being on the road for 10 months had become hard, and pushing to be home more became a conflicting agenda. Some would like to see this band go as far as it possibly can, and I was an anchor holding this back. I just wanted to play something honest, make some friends and see the world and I got to do that, and I am forever grateful for my experiences.

 

Guitarist Andrew Neufeld will be taking over vocals for the remainder of the tour.

Category: Comeback Kid